In today's class, we revise for the forthcoming mock exams.
PREP Revision for q. 2
Please read carefully:
Cuffs is a pre-watershed drama illustrating, for
example: the dominance of the police drama genre in
contemporary television schedules and the industrial
importance of the serial narrative form, the role of
BBC1 in the contemporary television industry, how
representations seek to reflect contemporary
contexts, the offering of uses and gratifications to
attract a mass audience in an increasingly segmented
market.
The Avengers is a PG certificate drama illustrating a
historically significant media product. The Avengers was a landmark television series in the
1960s and reflects the brand image of ITV as more
daring in this era. The media language is
comparatively rich for a television product of this era
and a monochrome episode has been set to illustrate
changing television technology.
The Avengers TV
show helped define the ‘spy drama’ genre in the
1960s and was influenced by events occurring as it
was filmed, including episodes that parodied current
and historical events. The Avengers also included one
of the first memorable examples of product
placement (the ‘Lotus Elan’), a technique which has
great historical significance in contributing towards
the funding of films and commercial television
programmes in the present day.
The Avengers also illustrates the industrial
importance of the series narrative form in 1960s
television, the role of ITV in the era of three channel
television, how representations reflect the 1960s
contexts, how audience responses and
interpretations may change over time as popular
television products develop cult status.
The Avengers series is also a significant product due
to its cultural and social impact and reach. The Avengers was a long-running series that was a
mainstay of 1960s primetime television. Series four
was sold to American television and the series played
a role in representing 1960s Britain to the rest of the
world – eventually showing in 120 countries –
reinforcing stereotypes of the traditional British
upper-class. It became a cult programme as an
important example of 1960s popular drama and is still
aired on British television today.
We study at least the one set episode of
each of these programmes in detail, practising
analysis of extracts, and developing our knowledge
and understanding of the theoretical framework as it
applies to the programmes as a whole.
We must study the contexts associated with the
media products and develop an understanding of the
differences between how the two media products
illuminate the changing social, cultural, historical and
political contexts of the mid-1960s and mid-2010s,
enabling us to develop a detailed understanding
of how they appear in mainstream drama.
It is
recommended that you investigate other similar
media products from these periods to reinforce your understanding of how the two products reflect their
contexts.You must study the listed episodes in terms of all
four areas of the theoretical framework, including the
theoretical perspectives, and the media products’
social, cultural, historical and political contexts, listed
in the table at the end of Component 01.
Monday, 24 September 2018
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