We then turn to Cuffs to continue developing our understanding both of media language and of what meanings audiences take from the extract.
For instance, we note editing:
- cross -cutting
- slow mo
- panning which comes to rest on a new character
- framing where a significant character is seen in the background
- bird's eye view
1. How is the audience made to realise that the police are ordinary people just like the rest of us?
2. What makes the criminals come across in a very negative way?
3. At which points in the scene is the audience made to feel sympathy for the police?
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| OUT POINT: POLICE WOMAN CALLS FOR HELP |

